Heavily influenced by psychedelia and new-age styles, Aporia is a fascinating insight into the power of wordless music.

Lucy reviews the latest effort from grunge juggernauts Pearl Jam,

Lucy takes a look at the latest EP from Scotland indie outfit The Snuts.

This week’s picks include singles from The 1975, Boston Manor, Yasmin Lacey, Sports Team and more.

The trudging and doomy debut record by best pal duo Sorry comes scalding hot, and with apology in their name that is far from necessary.

Morrissey's latest album serves both as an ode to his loyal fans and a warning against the manipulation of the media.

The ‘Joy’ of The Return of The Slow Readers Club lies in the diverse songwriting and refreshing vocal approaches from Aaron Starkie.

Four years since The Stage, Avenged Sevenfold's old-new album contains three covers, two bonus tracks and one previously unreleased track.

Owen covers the third album from acclaimed eclectic musician King Krule.

A meagre five years on from Currents, the ever changing and ever developing Tame Impala have returned with their latest album, The Slow Rush

Louis shares his thoughts on London-based outfit HMLTD's debut album, which excels most when their maximalist production is restrained.

Mura Masa pines for freedom, inspiration and escape from the paralysis of youth on ‘R.Y.C.’

The East Bay punks’ contractually obliged pisstake record has no idea what it is – yet it’s their most fun in years.

Lucy takes a look at the latest offering from Stockport indie rockers Blossoms.

Alex reviews the final offering from Mac Miller, whose untimely death resonates throughout the record to make it powerful and emotional.

Indie heavyweights Bombay Bicycle Club make their hotly anticipated return with new record Everything Else Has Gone Wrong.

With her third studio album, Poppy finds a compelling niche, effortlessly combining metal, pop and rap to create a truly unique sound.

Owen reviews the lead single from Mac Miller's posthumous album 'Circles', entitled 'Good News'.

Ben reviews the new single from Nottingham acoustic stalwart, Ben Mark Smith.

Owen analyses the comfortable, familiar melancholy of King Krule’s new short film, Hey World!